The public institution “Correos de Chile” (Chilean Post Service), besides being a source of knowledge, travel and transportation, has censored an art piece that has a close relationship with themselves and the artwork of the visual artist Cristóbal Cea, Hawker Haunted, by what should give the audience the chance of thinking, questioning and conflicting through […]

Rodolfo Andaur, one of the most important curators of the artistic scene in Chile is about to initiate one of his most notable projects: “Managing New Displacements from Geography”.

“Louise was a really strong feminist…but she always said her work was pre-gender”

“Continuum” exhibition at Ala Scaligera in Milan, curated by Antonio Grulli, refers to this initial group of selected artists. Giovanni Anselmo, Vanessa Beecroft, Daniel Buren, Sheila Hicks, Anish Kapoor, Giulio Paolini, Ettore Spalletti: all great masters, of various generations.

Sol Calero’s first solo show in Portugal Tente en el aire opened on the 15th of May at the Kunsthalle Lissabon. The surprising sobriety of the exhibition compared to recent large-scale installations begs for an explanation which eloquently unfolds in the accompanying text. Earthy tones painted directly on the walls are framed and highlighted by […]

From the 29th of march until april 22nd, an immersive sound installation created by the Institute for Sound & Music Berlin was installed in the principal hall of Martin Gropius Bau Museum. ISM was integrated already a few years ago, with the intention of responding to the big percentage of residents and visitors of Berlin […]

The materials contained in some everyday objects and their peculiar characteristics have become an amazing laboratory for the field work of visual artist Nuria Fuster. But I could also affirm that the particularity that these forms have, in themselves, has anchored her to the social and political context of our society; and it is mainly […]

  Gabinete is a short documentaries web series of Chilean visual artists that through each chapter and as a whole, tries to show the motivations of contemporary art in the last decades, from the late 70s to today, trying to discover both the formal characteristics of practice as the inspiration that underlies under each creation. […]

A trace of a narrative that eventually forms a portmanteau of collected significant objects. The treatment of things gives them significance of form, selection, and context.

Untitled (Havana, 2000) was created for the 2000 Havana Biennial. Inside a darkened tunnel, mashed fermenting sugarcane is piled several inches high on the floor, and its sweet-and-sour smell is pervasive.

Undoubtedly, the body as a material, language and theme of contemporary art, is preceded by a social theory that has been used as a questioning of the vision of the human being according to conservative positions on the creativity of artists. In this sense, America, a territory altered by a dominant Eurocentric structure, is a […]

  Castillo. Juan. There is a background behind him. From the dark times, those in which you could not go around saying what it was thought. From the times when you distrusted even of your shadow like the mothers who lived those days would say. From the times where there was a gag; real for […]

The artist mixes the vampire with historical information regarding “Operation Albania”, which occurred in the winter of 1987, when the CNI murdered twelve members of the FPMR.

The German artist and sculptor and recently winner of August Macke Prize of the Hochsauerlandkreis 2017 is showing at PROYECTOSMONCLOVA the exhibition “CLOUDS AND TEARS” radiating around what Sailstorfer calls a «solar cat».

The curator duo Elmgreen & Dragset spent the past two years developing the concept of “good neighbour”, which was defined before the storms caused by Brexit, Syria, Palestine, Trump, and let’s sob.

How can the body politic, and the body of letters, and the body of mortal creatures be subscribed into a single concept: that of a collection of individual parts brought together for a larger function.

“Obras no recientes” (Not recent works) is an exhibition that DOES NOT bring the latest production of the Chilean artist, nor does it have a curatorship. It attends simply to the motivation of being able to exhibit works with some years already, and not giving up to the rhythm and pressure of the artistic apparatus.

A peculiar characteristic of this new body of work of Tim Plamper is the exploration of physical experience and of nudity, reconsidered beyond the symbolical clothes left in a precarious balance between desire and cruelty.

Berlin Art Week signals the end of the summer and the beginning of a new art season for galleries, institutions, and independent spaces. Berlin audiences had plenty to look forward to this year with a brand new fair structure, the reopening of…

The first image of Amalia Valdés I am able to summon from my memory is from Taller Bloc (Santiago, Chile), during her residence there in the year 2014. I remember her bent over her work table, producing what I believe were her first pieces that manipulated aluminum. At that moment, I didn’t know I wanted […]

Why would the work of a Latin American artist be of such interest here? In fact, the guides at Bildmuseet have been explicitly instructed not to mention, or comment on the circumstances of Ana Mendieta’s death…

“Linnæus in Tenebris” is the first solo show of Naufus Ramírez-Figueroa at Musée d’ Art Contemporain de Bordeaux CAPC, who has known transforming the friction in morphic and symbolic displacements full of color where they can quoting from naive aesthetics to baroque art.

Even the most expert experts could not have predicted Trump’s election. The world of art, is today with the obligation not to make politics only doors inside, but outside as well.

“Laberinto de Ilusión” resembles the typical Latin American telenovela in other spectacularly clichéd ways, too. Rather than advance through proper plot and character development, Garlaschi’s narrative unfolds the use of stereotypes and binary oppositions.

After premiering in Mexico City last January, the film Free Fall by visual artist Miguel Calderón in on view at the Fototeca Latinoamericana, Buenos Aires, and Luhring Augustine, New York. About this work Ángels Miralda talked with the artist.

Its particularity is that it does not want to be a reflection of the life and reality as such, but as they are being transformed and transgressed in a time where anguish, fear and anxiety are characteristics as normal as the awakening itself.

Upstream Gallery presents Particles of Dust, a solo exhibition of new work by Frank Ammerlaan, where a new paradigm shift took place.